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In Search of Home
quiet, thoughtful, moving

Seasons at Eagle Pond
This book is a treasure...

Tales from the Pewter Shop
From family passion to artist.

What took it so long?The answers will surprise you in this tightly written worthwhile book.
Widow's Walk is No Walk in the Park...Andrew Coburn's writing is taut. Tense. The language is crisp, tearing right along the perforated line. His characters are so close, they pluck, poke and puncture.
Paul Jenkins, Boar Bluff's chief of police, is someone we think we know, but don't. His sergeant, Wilbur Cox, brawn and bloat, is a man we never want to know, but do.
The three summering visitors, Joan Weiss, Laura Kimball and Pamela Comeau, ice-sculpture beautiful, shimmer in the reflection of the bloodied East Coast waters, and are witness to Boar Bluff's underbelly as the summer days melt into night and reveal secrets, savvy and slayings.
Among the cast of characters who give spring to the coil is the man-child Bud Brown who is "a mistake in his mother's life;" and Skelly, the manly woman who runs the Mobile station whose mother's mantra, when Skelly was but a bit of a kid, was "leave 'em be, Ralph...just leave 'em be" (but Skelly's father didn't let 'em be) and who later sought safety in the grown-up body Mother Nature gave her to hide in; then there's Hazel Cox whose strength lies covered up like a dormant volcano. And the coils heat up in this sunny New Hampshire town.
Andrew Coburn's Widow's Walk is not a plot with character. It is characters with plot, and those characters--complex, ironic and layered--irk, beckon and repel. They pluck at you. Poke at you. Punctuate the summer days so real that you feel like you are a caught, sweating Peeping Tom.
But you can move to the shade... I'd highly recommed this sizzler!


david is a fabulous writer and illustrator......
Carroll's book is an incredibly beautiful natural history.

For the Adventurer Who Likes to Plan...

It is a great book for identifing animals.

shattering

A worthy sequel.
Sarton finds what she was looking for in a run down old colonial house in the remote township of Nelson, New Hampshire. There she embarks on renovations and adjustments that profoundly change how she sees and lives her life.
For anyone who is interested in Sarton, Plant Dreaming Deep offers a revealing look at the artist's inner procees. It also allows us to see her in the context of a community. Over the course of time, we are introduced her many and charismatic neighbors. There is Bessie Lyman who lived in Turkey and speaks Arabic, Quig the deepely introspective artist, and Mildred his distinguished wife, Newt who helps her with woodchucks, and Perley who helps her transform her land into a garden. And then there are the people who are not physically present who nevertheless seem as real to Sarton as her next door neighbors. Set against the backdrop of the New England seasons, and defined by the various events and crises that occur in her personal and professional lives, the writing is rich with experience and Sarton's own peculiar blend of poetics and matter-of-fact whimsy. This is a book that any fan of Sarton will enjoy.